I’m pissed off and the whole world owes me!: Vomas on FREEWAY
Underage prostitution, teenage illiteracy, drug abuse, serial murder, prison violence, racism, drive-by shootings, corruption and…
Snow White and the Seven Dorks: Vomas on BALL OF FIRE
No “funniest films of all time” list would be complete without the works of Howard…
The Year in Gimmicks: Vomas on William Castle’s 1961
The golden age of the B-movie gave us a few directors whose actual filmmaking was…
“It’s All In The Family”: Tom “Vomas” Morton on Sabrina
Sabrina opens like a fairy tale. A mansion, a wealthy family, two conflicted brothers, and…
Pebbles, Numbers, and the End of Everything: Tom “vomas” Morton on Knowing
When Nicolas Cage was announced as the star of 2014’s Left Behind it raised…
2000: A Martian Odyssey by Tom “vomas” Morton
If the duelling asteroid films of 1998 were an inevitable consequence of the CGI-revived disaster…
Year of the Month: Tom “vomas” Morton on Rock ‘n’ Roll High School
Kate: Look at your math book — it looks brand new. Bet you’ve never even…
Year of the Monster: Tom “Vomas” Morton on Bela Lugosi’s 1932
1932 was an important year for Bela Lugosi. Having made his (silent) Hollywood debut in…
Year of the Month: Tom “vomas” Morton on Letter from an Unknown Woman
Stefan Zweig’s 1922 novella Brief einer Unbekannten is one of those stories that has inspired…
A Very British Apocalypse: Tom “vomas” Morton on The Bed-Sitting Room (Year of the Month)
Like so many post-apocalyptic films, The Bed Sitting Room opens with bleak images of a…