Confronted with writing about a movie like Terry Gilliam’s The Fisher King, I become painfully…
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It’s hard not to have heard the opening track, “I Love L.A.,” which has become…
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Usually when we do the last album of an artist for the Record Club, we…
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As a collection, Orphans: Brawlers, Bawlers and Bastards is both one of unity and of…
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Will have to get this review done this weekend. The words “garage rock”, “lo-fi” and…
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Sorry everyone. I am in no mindset today to write up a critical piece, especially…
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*SPOILERS for the play Woyzeck* Let me say this upfront: Blood Money is my favourite…
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Six years after the bizarre theatricalities of The Black Rider, Tom Waits returns to us…
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This is probably the best way to experience the music from The Black Rider. I…
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Today’s Tom Waits album Bone Machine is brought to you from a nightmare projected from…
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