Crime does pay, just not very well. (Matchstick Men) Barry Lyndon feels like one of…
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The missing link between Richard Lester and Peter Greenaway, A Clockwork Orange bears the look…
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The occasional podcast on music in movies; part of the series “Continue down your mistaken…
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We don’t want to conquer the cosmos, we simply want to extend the boundaries of…
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Everything Stanley Kubrick learned went into the making of 2001, and he made something utterly…
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I am troubled by the feeling which runs all through the film, of discredit and…
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In 1962, or in 2015 for that matter, if you’re making a film about a…
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The occasional podcast on music in movies crosses over this week with the “Continue down…
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They don’t make them like Spartacus anymore, an overstuffed, overlong pileup of gorgeous, funny, tearjerking,…
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With Fear and Desire, Stanley Kubrick learned how to film still images. With Killer’s Kiss,…
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