Soundtracking #20: Exit Music (for Several Films)
Despite the subject matter, this is actually pretty much SPOILER-free. References to earlier podcasts on Escape…
Taco Break: a Question of Tone
In Wednesday’s article on the 10 worst films of 2015, there appears an interesting exchange…
“Continue down your mistaken path”: A. I. (2001)
In the spring of 1999, Stanley Kubrick, tired of negotiating with recalcitrant Warner Bros. executives,…
“Continue down your mistaken path”: EYES WIDE SHUT (1999)
Mawwiage, that dweam wiffin a dweam. (The Impressive Clergyman, The Princess Bride) Overture Eyes Wide Shut…
“Continue down your mistaken path”: reflections and open thread on Kubrick
So, as we near the end of our journey through the Kubrick filmography (two entries…
Soundtracking #12: FULL METAL JACKET and the electronic scores of Kubrick’s films
The occasional podcast on music and movies crosses over with the “Continue down your mistaken…
“Continue down your mistaken path”: the authors of FULL METAL JACKET
The writing credit on Full Metal Jacket reads “by Stanley Kubrick, Michael Herr, and Gustav…
“Continue down your mistaken path”: FULL METAL JACKET (1987)
What we call “inhuman” are in fact things that only humans do. (Bennett Berger) Writing…
The Future of Comic-Book Superhero Movies Is The Past – Part 1: MR. FREEDOM
Hollywood has an uncanny way of capturing the Zeitgeist: in a sense, it has to…
“Continue down your mistaken path”: THE SHINING (1980)
Horror is a genre made for formalists. (Noel Murray) Coming back to the The Shining…