SIFF Days 19-20: Male Toxicity
On its third Tuesday, the Seattle International Film Festival continued its amazing parade of special…
SIFF Correction: Fourth Man Out is even more straight than before
Hey guys, Sometimes I get things wrong. Especially in the hectic hoopla of festival, sometimes…
SIFF Day 18: The Windows of Film
The title Chuck Norris Vs Communism is a lie. Chuck Norris’s films barely make an appearance…
SIFF Day 17: The Masks We Wear
Fourth Man Out is a new comedy about coming out in a middle-class environment to…
SIFF Day 16: Connecting Dots
The easiest way to open a full day of movie going is to watch an…
SIFF Days 13-15: Code-Switching
The conversation surrounding the “gay voice” has been shadowed and loaded. Shadowed by the specter…
SIFF Days 11-12: Defeating Expectation
When I saw The Automatic Hate, I knew absolutely nothing about it. I knew that it…
SIFF Day 10: Obsessing with Genre
Outside of the documentary, this year’s SIFF seems to be full of genre exercises. So…
SIFF Day 9: The Allure of the Past
The Seattle International Film Festival normally likes to put some of their best movies, or…
SIFF Day 6-8: Behind the Curtain
Eskil Vogt’s Blind plays tricks on the viewer. Ingrid has adult-onset blindness, the result of a…