This Week, We Capture Works That Say: Isn’t It Noir-onic? We Need a Heroine! Let’s…
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I always appreciate films that translate the noir sensibility to times, places, and situations that…
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November ends as it began: with me reviewing The Prowler. This time, however, it is…
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John Brahm’s moody Hangover Square is a fine example of gaslight noir. The cinematography and…
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Steve Sekely’s Hollow Triumph was originally called The Man Who Murdered Himself, and I submit…
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