Year of the Month: Miller on THE CAPTURE
The Capture is a divided movie about a divided man. John Sturges films Niven Busch’s…
Year of the Month: TREMORS, or 5 Things B-Movie Makers Need to Remember by Miller
Tremors was released to theaters in January 1990, where it made a profit but largely…
THE BEACH HOUSE (2019) reviewed by Miller
Horror is about existing as a human. Existing as we do, with imagination and logic,…
Miller on the Weirdos of HOME MOVIES
The first episode of Home Movies I ever saw was its last. I was sitting…
Year of the Month: Miller on THE LADYKILLERS
Note: This was originally written for a Lovefest in the comments of The Dissolve. “There’s…
Year of the Month: Miller on BEDTIME FOR SNIFFLES
It’s unfortunate but true: For the young cartoon viewer, the beloved Looney Tunes did not…
Year Of The Month: Miller on THE GETAWAY AND JUNIOR BONNER
“The only true currency in this bankrupt world is what you share with someone else…
Ellroycast #5: The Big Nowhere with Miller
We talk about the second novel of the first L. A. Quartet, The Big Nowhere, the…
Year of the Month: Miller on King Curtis’ “Games People Play”
Back when I was smoking, I had three rules: no smoking in front of my…
50,000 Didgeridoos: Miller on The Exaggerated Reality of WALK HARD
Is there any kind of movie more inherently dull than the biopic? Every genre has…