About halfway through Éric Gravel’s Full Time, the struggling and constantly stressed Julie (Laure Calamy)…
Read More »
Mark Lewis’s Rat is a documentary about rats. As always, thanks for reading! Fine, if…
Read More »
Mark Waters’s The House of Yes is, appropriately, artificial. Crisply stylized dialogue and arch, consciously…
Read More »
X made me breathe a sigh of relief, which is an odd thing to say…
Read More »
Daisy von Scherler Mayer’s Party Girl captures the effervescence and grind of both parties and…
Read More »
There was no way for me to resist Repeat Performance. It’s a 1947 film noir…
Read More »
Every so often, a movie comes along that merits the Billy Madison dismissal: “What you’ve…
Read More »
Erotic thrillers exist on the knife’s edge between sex and danger. It’s a balancing act,…
Read More »
November ends as it began: with me reviewing The Prowler. This time, however, it is…
Read More »
John Brahm’s moody Hangover Square is a fine example of gaslight noir. The cinematography and…
Read More »