Chances are, even if you haven’t seen William Friedkin’s Jade, you know it’s a bad…
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Ken Loach’s Sorry We Missed You is both excellent and hard to recommend. It’s a…
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Kitty Green’s The Assistant–like her follow-up film The Royal Hotel–is a kind of psychological horror…
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After watching Kiyoshi Kurosawa’s eerie Pulse, I read a few post-2020 retrospectives on it that…
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For March, I’ve been concentrating on films directed by women, and now we round out…
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I should start this review by confessing that I never feel more thoroughly American than…
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Halina Reijn’s Bodies Bodies Bodies sees a friend group of trust fund kids hunkering down…
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My wife proposes that You Hurt My Feelings is set in the same gently charmed…
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A sense of doom hangs over Charlotte Wells’s superb Aftersun. Eleven-year-old Sophie (Frankie Corio, naturalistic…
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The three segments that form Ryusuke Hamaguchi’s airy, polished Wheel of Fortune and Fantasy aren’t…
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