In the Land of Lost Angels is Bishrel Mashbat’s feature-length directorial debut, and he makes…
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Bound is an intensely playful movie. This was the directorial debut of the Wachowskis—who also…
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One of the defining emotions of John Huston’s The Maltese Falcon is contempt. It’s an…
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Johnny Cash has been everywhere, man. Of travel he’s had his share, man. But the…
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I once saw a movie like that. All about revenge. Ex-con’s revenge. Very touching. Only…
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The Capture is a divided movie about a divided man. John Sturges films Niven Busch’s…
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The Big Combo is a moody, slightly offbeat noir. Its basic story is unremarkable and,…
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William Wyler’s The Letter is almost a film noir blanc, its traditional adultery-murder-blackmail plot turning…
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Before there were sparkly vampires, there was 1998’s Twilight, an elegiac neo-noir directed by Robert…
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A sleek, elegantly composed crime film, Le Samouraï‘s classic status is well-deserved. Its success hinges…
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