“Continue down your mistaken path”: A. I. (2001)
In the spring of 1999, Stanley Kubrick, tired of negotiating with recalcitrant Warner Bros. executives,…
“Continue down your mistaken path”: EYES WIDE SHUT (1999)
Mawwiage, that dweam wiffin a dweam. (The Impressive Clergyman, The Princess Bride) Overture Eyes Wide Shut…
“Continue down your mistaken path”: reflections and open thread on Kubrick
So, as we near the end of our journey through the Kubrick filmography (two entries…
Soundtracking #12: FULL METAL JACKET and the electronic scores of Kubrick’s films
The occasional podcast on music and movies crosses over with the “Continue down your mistaken…
“Continue down your mistaken path”: the authors of FULL METAL JACKET
The writing credit on Full Metal Jacket reads “by Stanley Kubrick, Michael Herr, and Gustav…
“Continue down your mistaken path”: FULL METAL JACKET (1987)
What we call “inhuman” are in fact things that only humans do. (Bennett Berger) Writing…
“Continue down your mistaken path”: THE SHINING (1980)
Horror is a genre made for formalists. (Noel Murray) Coming back to the The Shining…
“Continue down your mistaken path”: BARRY LYNDON (1975)
Crime does pay, just not very well. (Matchstick Men) Barry Lyndon feels like one of…
“Continue down your mistaken path”: A CLOCKWORK ORANGE (1971)
The missing link between Richard Lester and Peter Greenaway, A Clockwork Orange bears the look…
Soundtracking #10: Kubrick and Ligeti
The occasional podcast on music in movies; part of the series “Continue down your mistaken…