TANGERINE
For the better part of a decade, the majority of queer cinema has focused on…
CREEP: Rolling with it
Patrick Brice’s directorial debut Creep (it’s been on the festival circuit for a year and a…
THE LITTLE DEATH: Communication Breakdown
In the opening scene of The Little Death, after a round of sex, Maeve (Bojana…
THE OVERNIGHT
Seattle has a social problem: the Seattle Freeze. The Seattle Freeze is a trait where…
RANDOM ACTS OF VIOLENCE (aka Hipster Man Bites Dog)
“I’m not a hipster,” said the hipster. “But, he is.” Writer/director Ashley Cahill stars as…
ZOMBEAVERS: the Crank Yankers of horror comedy
Jordan Rubin, the director and co-writer of Zombeavers, had previously been a writer on The Man Show, The…
Same as it ever was: THE ZERO THEOREM
If there was any defining theme to Terry Gilliam’s movies, it’s a protagonist searching for…
The Brotastic Familiarity of THE WEDDING RINGER
At a certain point in the mid 2000s, I realized there was a certain type…
The foggy familiarity of INHERENT VICE
Less than two years after Altamont marked the end of the Hippy era, Rolling Stone…
ZERO MOTIVATION
If War is Hell, then Army Administrative Work is Purgatory: it could be worse, and…