Miller’s 2021 Double Features: Bring Up The Bodies
Movies talk to each other. What did the films of 2021 have to say? This…
The 2022 True/False Film Festival
Possibly the best embodiment of its festival host, the documentary GES-2 has high art as…
Miller’s 2021 Double Features: Linked with our Machines, Our Eyes are Beaming
Movies talk to each other. What did the films of 2021 have to say? This…
Miller’s 2021 Double Features: God-given accuracy
Movies talk to each other. What did the films of 2021 have to say? This…
Miller’s 2021 Double Features: Every Day We Profit So
Movies talk to each other. What did the films of 2021 have to say? This…
Year of the Month: Tequila and Hamburgers – The Making of Neil Young’s TONIGHT’S THE NIGHT
Tequila and hamburgers. That was the input – Neil Young* After Time Fades Away (1973),…
The Moments of 2021
It was a year of getting back on the movie watching horse, falling off again,…
The Earth Died Bleating: DON’T LOOK UP (by Miller)
THE SPOILERS ARE NIGH: This contains heavy spoilers for Don’t Look Up and minor spoilers…
Year of the Month: Owning the Night Life in THE MAN I LOVE
The Man I Love has a memorable first scene: when they hear the music playing…
International Psychos: PEEPING TOM and THE HOUSEMAID (Year of the Month)
In America, 1960 belonged to Psycho, the shocking ode to sudden violence that came with…