Movies often tackle issues of memory and subjective point-of-view, but few make it feel as…
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Larry Cohen’s 1972 Bone is incisive, funny, moving, and brutal. It’s the kind of shameless…
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Miss Congeniality is, well, shockingly congenial. Visually, it’s nothing to write home about, and the…
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My Purge adventures conclude with 2021’s ambitious The Forever Purge, which feels as grimly prophetic…
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The Raid–also known as The Raid: Redemption, in a move that will send you to…
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The Purge is an oddly fortunate franchise, sort of like the cinematic equivalent of an…
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There’s a grim, melancholy beauty to Paul Schrader’s The Card Counter, a film which deals…
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The Rental is the cinematic equivalent of beige paint. Its highest ambition is tasteful restraint;…
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It’s easy to throw around the word “nightmarish” when discussing horror films, but Jacob’s Ladder…
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Wes Craven’s Red Eye is an engaging, propulsive, and slightly tongue-in-cheek thriller. It’s having a…
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